Korg also added a new guitar mode called ‘Guitar Mode 2’ that completes all your guitar needs and delivers the highest quality Guitar Performances On the Korg Pa4X you have a Record field that is featured with the most upgraded options to help you create styles and drums on your own, featuring incredible guitar modes that you can use to make guitar performances should sound like in real life. Now, If you are still not happy with all these styles Korg gives you on your keyboard or you are happy but you want to create your own ideas of styles or arrangements for your own songs and compositions, then go ahead and do it! In addition to this you can also enhance your styles with up to 4 pads adding some different color and giving a refreshing taste in the middle of playing your song, you can also use the pads alone without playing the drums, its a big world you can play around with. When playing with that styles you are going to see that the Korg Team did a great job of reproducing all kind of musical genres accurately with all its details, that you can now not only play your song but your heart and soul can feel it giving you a chance to express your musical feelings on its max. Yes! any Style and Genre you are thinking of you will find there on the keyboard!Įach of the over 500 styles is fully arranged and very realistic, that with closed eyes you will think you are in a big hall sitting right in front of a 40 piece man band. In addition to the upgraded sounds Korg also did a phenomenal job with the new styles and drums on the Korg Pa4X featuring all kind of styles you ever wished to have on your own keyboard. Sounds have been painstakingly captured using state-of-the-art methods, that it gives you the opportunity to accurately reproduce the instruments like in real life! (Oh yeah!) Nevertheless, ultimately, we’re talking about the ultimate player’s and MD’s synth.In addition, the Korg Pa4x has been equipped with brand new wind instruments, strings, basses and even acoustic and electric guitars. The UI overall could be more user friendly - it’s a task to wrangle all the complexity and depth into a manageable seven-inch window. The rhythm generations in the Combi patches sound a bit dated/cheesy to my ear. The piezo beep of the buttons sounds uncannily like programming a microwave (I’m guessing there’s a way of turning the beeping off/down in a menu somewhere). You can string together as many as 16 simultaneous effects and there are dedicated knobs for constant access to a couple.ĭo I have quibbles? Of course. The presets are mostly dripping in reverb. There are nine synth engines to pick from, including specialist platforms such as Korg’s CX3 Hammond emulation, the SGX-1 piano engine (the best in the synth biz as far as I’m concerned), as well as some great analogue emulation from the Korg MS20 and PolySix engines, and more. The touchscreen control is useful, indeed necessary, to negotiate the depth and breadth of editing. What with the two-minute-plus boot up you know this is not a workstation to be trifled with. Reacquainting myself with the Kronos has been fun.
#Korg kronos review full
But there are 88-note advantages, such as bashing out a full piano part or making the most of a keyboard split. Of course, traditionally, the organ aficionado is more than happy to make do with 76 notes or less. In fact, try performing a fast palm gliss on a heavy action keyboard and you’re likely to need hand therapy for a year.
#Korg kronos review manual
When you think about it, we’ve been chasing the ‘hammer action’ holy grail for so long we’re in danger of forgetting that there are many more players who don’t care if the manual feels like a 30-foot Bechstein. The LS version of the Kronos employs a lightweight manual that not only makes it 6kg easier to lug, it’s totally suited to organ and electro-mechanical pros - making staccato clav stabs and fast runs a comparative breeze. It’s the muso’s version of the tricked up tradies ute… why skimp?Īnd back to that video. Most of us don’t/won’t need the Kronos but if you draw a wage from making/composing/arranging/teaching music then Kronos is a no-brainer tax deduction. I always considered the Kronos to be the ultimate musical director’s workstation the one-stop keyboard that virtually guarantees you’ll never be caught short, packing a gargantuan range of sounds from a bunch of killer engines - sampling, recording/sequencing, split/layering, Karma… it’s effectively the full Korg toyshop in one package. Not as though I needed too much convincing.
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It’s dirty and underhand: an intro video that has four or five keyboard masters - musical directors and virtuoso players - jamming on the Kronos LS? It’s not fair.